However for any producers who have never mixed ‘out of the box’ using hardware these plugins may seem a little limited in comparison to alternate plugins with additional features.
If you are used to tweaking the knobs on a physical piece of hardware you will instantly feel at home using these plugins. Keeping the same anodized aluminium design with the added warmth of the VU meter, these plug-ins are instantly recognizable and look great on screen. The Red 3 Compressor Limiter uses the same circuit topology as the ISA130 compressor module which is based around an innovative VCA design that earned Focusrite a TEC award for Outstanding Technical Achievement in Signal Processing Technology and is renowned for its natural sound. It boasts a flexible 3-band configuration with a high and low pass filter that has been explained as warm and smooth sounding.
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The Red 2 Equaliser is derived from the ISA 110 EQ circuits designed as an upgrade for the Neve console at Sir George Martin’s Air Studios, London. Now lets take a look at the original hardware processors. Priced at £229.99 on the Focusrite website, this plug-in suite is currently free with with the purchase of any Scarlett, Saffire, Forte & Clarett interface. With more and more producers creating tracks entirely ‘in the box’ the Red Plug-In Suite is a great addition to any engineer’s arsenal.ĭuring this review we will showcase what the Red EQ & Compression plug-ins are capable of by mixing a track using just these plugins*. That classic anodized aluminium body with classic ‘ff’ detailing has been seen in studios worldwide and can be heard on countless recordings. Introduced in 1994 the Red range of dynamic processors remains one of Focusrite’s most successful and recognizable hardware products. ‘Almost every major studio owns, or has at some time hosted, a Focusrite Red.’
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